Jarboe | Truth and consequences

This interview has been published on Radio Metal the 30/07/2018.

Jarboe doesn’t need to be introduced: core member of Swans along with Michael Gira until 1997, ever since then, she keeps on singing, creating, shape-shifting, and growing, working with artists as different as Neurosis, A Perfect Circle, Phil Anselmo, Justin Broadrick, and In Solitude, in the process. Ubiquitous and discreet, appealing and eerie, muse and mentor: she knows no boundaries and follows her path in the shadows, where experimental music, extreme metal, rock, and contemporary art meet.

Thanks to a lot of luck and a bit of nerve, I managed to meet her somewhat against all odds after her show with Father Murphy at Roadburn, a couple of months ago. The interview was short, but when Jarboe talks, sharp and generous, time stands still. It’s like a whole part of the history of contemporary music coming to life. Off the record, anecdotes abound: she recalls a visit of Budapest with Attila Csihar as a guide, gently mocks the members of some Swedish black metal bands, “charming when they’re alone, insufferable when they’re together…” Under the pretext of talking about her haunting collaboration with Italian occult psychedelic duo Father Murphy, she evoked seminal episodes from her childhood, her relationship to spirituality as a musician, and some memorable live performances, outlining her own approach to art, unique and visceral, humble and uncompromising, sensitive and quietly stubborn.


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Mat “Kvohst” McNerney | Song of Kali

This interview has been published on Radio Metal the 25/10/2017.

In only five years of career, Grave Pleasures, previously known as Beastmilk, had a fairly stormy history. Made of thundering debuts (Climax, 2013), line-up changes, infectious hooks, and new identities, it led to the divisive Dreamcrash, a record built on the ashes of Beastmilk, In Solitude and The Oath. It looks like the band, who sings about destruction and creation over infectious death rock melodies, doesn’t hesitate to put theories into practice, enticing both seasoned black metallers and 80s sounds lovers, somewhere between the cover of The Cure’s “A Forest” by Carpathian Forest and Perturbator. In that respect, Motherblood, the band’s new record, is crucial: it’s about strengthening Grave Pleasures in its new incarnation, and for leader Mat “Kvohst” McNerney, about expressing as clearly as possible his take on life.

For the release of this record under the patronage of the fearsome Kali, we talked about all these things with McNerney. A prolific musician whose work is as shape-shifting as it’s coherent, he explained the concepts hiding behind the intoxicating melodies of Motherblood, the rough times Grave Pleasures went through, the status of this project in his whole career, and his vision of music, whether it be in general, live, or his. An enlightening talk with an artist fascinated by humanity’s darkest sides.

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