This interview has been published on Radio Metal the 30/11/2017.
Two weeks ago, Oranssi Pazuzu teamed with another band from Tampere, Dark Buddha Rising, for a unique performance named Waste of Space Orchestra at Roadburn. The Finns were playing at the festival for the third year in a row. In 2017, I caught Juho “Jun-His” Vanhanen, guitarist and vocalist of the band, a few hours after their set on the Mainstage of the festival, to know more about the inception of the psychedelic trip into the unknown that is Värähtelijä, their last record. Wild, daring, swirling together krautrock, black metal, and much more, the album left listeners terrified, bewildered, and more often than not, amazed.
Unwrapping the twists and turns of the music but never unveiling its mystery, Jun-His talked about the elaboration of Värähtelijä, his aims as an artist, his views on his own art. “Everything is there and still, you can’t figure the reason behind it, behind existence,” he explained: instead of looking for answers and not afraid to stare into the void, Oranssi Pazuzu chose to embrace the unknown.
© Samuli Huttunen
This interview has been published on Radio Metal the 25/10/2017.
In only five years of career, Grave Pleasures, previously known as Beastmilk, had a fairly stormy history. Made of thundering debuts (Climax, 2013), line-up changes, infectious hooks, and new identities, it led to the divisive Dreamcrash, a record built on the ashes of Beastmilk, In Solitude and The Oath. It looks like the band, who sings about destruction and creation over infectious death rock melodies, doesn’t hesitate to put theories into practice, enticing both seasoned black metallers and 80s sounds lovers, somewhere between the cover of The Cure’s “A Forest” by Carpathian Forest and Perturbator. In that respect, Motherblood, the band’s new record, is crucial: it’s about strengthening Grave Pleasures in its new incarnation, and for leader Mat “Kvohst” McNerney, about expressing as clearly as possible his take on life.
For the release of this record under the patronage of the fearsome Kali, we talked about all these things with McNerney. A prolific musician whose work is as shape-shifting as it’s coherent, he explained the concepts hiding behind the intoxicating melodies of Motherblood, the rough times Grave Pleasures went through, the status of this project in his whole career, and his vision of music, whether it be in general, live, or his. An enlightening talk with an artist fascinated by humanity’s darkest sides.