Saturnalia Temple | Lighting up the Path

“I am that serpent-haunted cave
Whose navel breeds the fates of men.
All wisdom issues from a hole in the earth;
The gods form in my darkness, and dissolve again.”
―Kathleen Raine, “The Pythoness”

For almost two decades now, Saturnalia Temple has been forging its own kind of alloy, mixing old school doom and extreme metal with psychedelism and esotericism. The result is hypnotic and meditative, both crushing and elevating. Its last album, Paradigm Call, was released about a year ago and was the last piece of a first cycle. Its mastermind, voice, and composer, Tommie Eriksson, invited the brothers Gottfrid and Pelle Åhman to join in on stage in the meantime, and this collaboration resulted in some potent chemistry, fertile soil and widened horizon at once. The time was due to get some perspective on what has been achieved so far, and what awaits the band for the future.

That’s what I got the chance to talk about with the three musicians before their concert as headliners of the Eindhoven Metal Meeting warm-up evening last December, where ten years ago almost to the day, Gottfrid and Pelle had played their last set as In Solitude. Fittingly, cycles closing and opening are what this long conversation is about―patterns emerging, past and future, and the flow of creativity. But first and foremost, it is about music: its content, its nature, its power.

This interview took place in December 2024 and was first published on Radio Metal.

© Nox Ithil
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Aluk Todolo | The Vision and the Voice part. 2

Eight long years after Voix, Aluk Todolo finally released its follow-up, Lux, a dark, gleaming record of faceting guitars and hypnotic rhythms. Light might seem a paradoxical interest for such an obscure band, but it actually is a natural development of their uniquely cohesive discography. A couple of weeks before the release of this fifth album, I had a long interview with Matthieu Canaguier, the band’s bass player, to go over the long gestation of the record and these twenty years as Aluk Todolo.

From the groundwork of the first albums to the meticulous architecture of Lux, from the spiritual dimension of the music to its unique physicality, the Work unfolds, occult of course, protean, and in progress. A quest for the three musicians involved, and for all the listeners willing to join in…

Go to part. 1 (2016)

This interview took place in September 2024 and was first published on Radio Metal.

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Scott “Wino” Weinrich | Create Or Die part. 2

Seven years after Sacred, in 2024, The Obsessed is back with a new line-up and a new album, Gilded Sorrow. In it, the inimitable Scott “Wino” Weinrich does what he does best: gritty, heavy songs lovingly fashioned from decades of experience, ups, downs, and burning passion. In this long, candid conversation, we dive deeper into the world and musings of the musician we caught a glimpse of in our previous interview.

We talked about the band’s expanded line-up and its modus operandi, and went back through The Obsessed’s rich history, from their very beginnings to Gilded Sorrow and from misadventures to creative highs. Focused and hopeful in a world in flames, Weinrich keeps recording, painting, touring, sharing. A whole life’s endeavor summarized in three words: create or die.

Go to part. 1 (2017)

This interview took place in February 2024 and was first published on Radio Metal.

© Jessy Lotti
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Linnéa Olsson | Bow & Arrow

Linnéa Olsson has more than one string to her bow. First a music journalist, she then made a name for herself as a guitar player in bands such as Sonic Ritual, The Oath, and Grave Pleasures, before finding her own voice and founding Maggot Heart. With Uno Bruniusson on drums and Olivia Airey on bass, the band forged its own style, a blend of punk ethics and rock’n’roll spirit with a dash of sharpness and dissonance, attuned to the pulse of the city and the night, from the gutter to the stars. Hunger, their third album, is both their most vulnerable and most confident record so far. Throughout its eight songs, Linnéa’s strongest talents shine: aiming high and letting go.

In this interview that took place a few months after Hunger‘s release, she went over the unique path that took her from the Swedish metal scene to Berlin. A hunter more than a prey, lucid and open-hearted, she talked about her doubts and goals, and about finding strength in fragility, and vice-versa.

This interview took place in February 2024 and was first published on Radio Metal.

© Sara Gewalt
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