Chris Reifert | Blood and Guts since High School

I couldn’t summarize the 35-year-long career of Autopsy better than Chris Reifert himself: “Musically, we want to rip your head off and kick it down the street.” Nobody does it like these pioneers of death metal; each of their many releases is as visceral and gruesome as their name suggests. I somehow (and unforgivably) missed out on the merciless and, again, aptly named Morbidity Triumphant when it was released a few years ago, but I wasn’t going to make the same mistake twice. As soon as Ashes, Organs, Blood and Crypts, their 10th album, was announced, I reached out to Reifert, the drummer and vocalist of the band, to chat about it.

Sharp, passionate, and a lot of fun, as friendly as his music is hostile, the musician went over more than three decades of extreme metal, from the first gigs he attended as a teenager in the Bay Area to the festivals Autopsy played the last few months. It’s a story of dedication and integrity, and a lesson of what metal should be: colorful and brimming with life, the way carrion does.

This interview took place in November 2023 and was first published on Radio Metal.

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Chat Pile | Real American Horror Story

The Covid-19 pandemic has been a hard blow for most musicians, but for Chat Pile, it ended up being a catalyst. The band’s music, a brooding mix of Big Black-style guitars, heaviness hinting to Korn or Godflesh, raw, disillusioned Americana, and sludge, turned out to be the ideal soundtrack to the ambient claustrophobia and anxiety—as they say themselves, “the sound of your world collapsing.” Inventive, sarcastic, and confrontational, Chat Pile is a breath of fresh air: the buzz created in just a few EPs landed them a deal with The Flenser, and it’s on this prestigious label that their first album, the aptly named God’s Country was released.

I jumped on the opportunity to chat about these explosive beginnings with the band during the 2023 edition of Roadburn, before their first gig in Europe. Friendly, relaxed, and obviously very happy to be there, Luther Manhole (guitar), Stin (bass), self-professed jokester Raygun Busch (vocals), and the discreet Cap’n Ron (drums) talked about the genesis of God’s Country and life in Oklahoma, whose stifling religiosity and industrial past (chat piles included, obviously) permeate the songs.

This interview took place in April 2023 and was first published on Radio Metal.

© Bayley Hanes
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