Ted “Nocturno Culto” Skjellum | Against the Grain

In Dennis Wheatley’s infamous novel The Devil Rides Out, the main character wards off evil by building a magic circle made of a pentacle, holy water, and dried mandrake, among other things. It is described as an “astral fortress.” Darkthrone’s Astral Fortress, on the other hand, is made of doomy riffs, a touch of cosmic keyboards, and decades of mastery. It conjures snowy landscapes, vast expanses of cold, and something I can’t help but describe as cozy: tried-and-tested recipes, old metal. The devil does ride out; the (black) magic is still there, fluttering and intact.

I got the chance to talk about it with Ted “Nocturno Culto” Skjellum, the discreet and iconic voice of the band, and this twentieth album turned out to be a pretext to revisit Darkthrone’s whole, stellar catalogue: Darkthrone has its own temporality, whether the rhythm slows down or accelerates, with its loops, echoes, and almost-anachronisms. Humble, with a no-nonsense attitude and a deadpan sense of humor, the musician mused on the threads running throughout their career: punk ethics, a sincere love for metal, and a strong partnership with his accomplice of old Fenriz. And first and foremost, an unwavering way to stay true to themselves, and go against the grain.

This interview took place in November 2022 and was first published on Radio Metal.

© Jørn Steen
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Earth | The Colour of Poison

In June 2022, Earth played Le Botanique in Brussels, a venue set in an old botanical garden. Wolfsbane was in bloom. It felt like the perfect setting for their last album, Full Upon Her Burning Lips, with its organic 70s vibe and allusions to poisonous plants. In keeping with the theme, a couple of days later, Dylan Carlson, the founder and guitar player of the band, gave a solo show in a sculpture garden in Antwerp. That’s where we had agreed to do an interview.

Earth doesn’t need any introduction: from the cornerstones of drone metal to Carlson’s 90s tribulations and the band’s resurrection in the early 00s, its impact on contemporary music in general and the metal scene in particular has proven deep and lasting. This cult status never distracted Carlson from his path, though: he always remained dedicated to minimalism and slowness, to the riff. Drummer Adrienne Davies joined in—yes, they did play Earth songs too that evening—and we talked about the latest developments of the band and its history. During the conversation, the two partners in crime chat, joke, contradict each other, finish each other’s sentences: they don’t just describe, they embody the flow of Earth’s music.

This interview took place in June 2022 and was first published on Radio Metal.

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