Aluk Todolo | The Vision and the Voice part. 1

“The link between spirituality, beauty, and uniqueness is at the center of the experience of chaos in music.
The voice acknowledges itself as a truly unique sound, as an event, and as matter.
And the listener ends up in the position to encounter and discover rather than know and understand.”
―Théo Lessour, Chaosphonies

The music of Aluk Todolo is hard to place. It spills over categorizations and escapes like quicksilver: psychedelic rock, krautrock, black metal, jazz, and noise are all somewhat accurate, but they don’t quite fit. The trio chose two words to describe it: occult rock. As they celebrate their twentieth birthday and the release of their fifth album, Lux, I finally took the time to unearth and translate into English this interview made in 2016.

Before a concert they played in Lyon with Sum Of R and Neige Morte, I caught up with Shantidas Riedacker (guitar) and Matthieu Canaguier (bass), and we talked about the album they had just released, Voix. From the dark, primordial source of the music to its manifestation in several forms and in several places, here’s a glimpse of the spiritual and material core of the project, and of the many voices that speak through it.

Go to part. 2 (2024)

This interview took place in June 2016 and was first published on Radio Metal.
A slightly ‘augmented’ version was was posted here as well.

© Andy Julia
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Misþyrming | Sound and Fury

Is Iceland the future of black metal? Considering the amount of fascinating records released by the local scene (Svartidauði, Wormlust, Sinmara…) these last few years and the enthusiasm it stirred, it may indeed be. And that’s what legendary Roadburn festival’s programmers must have been thinking as well: not only they added quite a few Icelandic bands to their prestigious line-up, but they even picked newcomers Misþyrming as the “artist in residence” of their 2016 edition, following nothing less than Enslaved or Neige from Alcest.

So it’s during Roadburn that I managed to catch three members of the band for an interview a few streets away from the agitation of the festival, despite their (very!) tight schedule: in three days, they would play up to six sets with different bands and musicians combinations, the highlight being the Úlfmessa (Icelandic for “wolves mass”), during which no less than ten musicians would appear on stage. We took advantage of this flurry of activity to talk about many aspects of the Icelandic black metal scene, from its functioning to its influences to its… consanguinity.

D.G., H.R.H. and, T.Í., who play in Naðra, Carpe Noctem, and NYIÞ on top of Misþyrming, display just as much enthusiasm as control, and just as much humility as ambition. One thing is certain: this is just the foretaste of all they have to give.

This interview took place in April 2016 and was first published on Radio Metal.

misthyrming-57

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